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Faz Waltz — Grown Up Guy / C’mon Liar 7″

Faz Waltz

Grown Up Guy

Spaghetty Town Records

Street: February 24, 2020

Faz Waltz blast back through the airwaves with their new Grown Up Guy / C’mon Liar single.  If you like power-pop driven glam with rebel flare, then this single is for you.  Fans of Faz Waltz will be thrilled to find that this record continues to show off their killer 1970’s inspired glam rock style—particularly in the vein of Queen, T-Rex and Ziggy Stardust-era sounds.  Grown Up Guy also boldly celebrates their familiar themes of rock n’ roll is here whether you like it or not. This, like former releases, is done with boasting bovver rock roots with a defiant proto-punk attitude.

This single single starts off strong. The A-side’s “Grown Up Guy” is song about empowerment in an ever increasingly hostile world where the right to exist is challenged by society and government alike. This a killer rock n’ roll track. This blends punk and contemporary glam rock, but with a nostalgic and punchy feel.  It’s the kind of music that makes you feel good, but is ultimately a song meant for the rebel at heart.   

The B-side’s “C’Mon Liar” is a real banger. This track is about being aware of who are your real friends and who the fakes are hanging around. “C’mon Liar” is antagonistic rock n’ roll with a catchy chorus that is easy to bounce about to. It falls stylistically in line with junkshop legends like The Jook and Hello. This songs theme unapologetically pulls no punches and also finds itself with a definable early 1970’s proto-punky attitude, but with certain pop sensibilities.  No doubt  it’s the kind of music that glam punk is all about.

With over ten years of material and performances behind them, Faz Waltz iconolcast rock n’ roll anthems remain relevant and have yet to disappoint. If this single is any indication of what their next album Rebel Kicks is going to be like, then it looks like it’ll be worth picking up.

This record is a must have for fans of Faz Waltz and more importantly of glam rock. Those not yet familiar with this groups discography can definitely start here, but should then dig into their previously released albums. Like this single, there are many gems to check out.

However, the first thing to do is to get this record and play it for your mates.  This is the good stuff, and as history has shown with Faz Waltz, you won’t be led astray.

Top 5 Albums of 2019

Every year I publish a list of my favorite albums that have been released that year. This list isn’t meant as a competition, rather it’s a celebration of work from very talented artists. All articles were published exclusively here at nixbeat.com or at Heatwave Magazine. I hope you enjoy and Happy New Year!

  1. The Jackets – Queen Of The Pill
The Jackets
Queen Of The Pill
Voodoo Rhythm Records

Queen of the Pill boasts the raw snarl of the fuzzed out garage-punk found in Way Out and combines it with Shadow of Sound’s refined freakbeat influenced garage-psych style. However, what sets Queen of the Pill apart from the previous records is The Stooges-esque proto-punk attitude twisting with elements of King Khan & The BBQ Show’s style, which should come as no surprise since King Khan was involved in this record’s production.”

Top Track: “Queen Of The Pill”

2. Jordan Jones – Self-Titled

Jordan Jones
Self-Titled
Spaghetty Town Records

“Jordan Jone’s debut release is a power pop masterpiece.  Within this records grooves are sounds begging, if not demanding to be heard. It’s the kind of music that flawlessly delivers a certain calm and charming sound sound that blends a kind of nostalgic sense for early 2000’s style of power pop rock n’ roll. This is due to Jones’ unique style that invokes The Booze twisting with the power pop delivery of the Biters, but channeling the romanticism of The Speedways.”

Top Track: “Wrote You A Song For Me”

The Woolly Bushmen – In Shambles

The Wooly Bushmen
In Shambles
Pig Baby Records

“Those who dug their first record will find familiarity with this album. In Shambles has a ballads, fuzz garage and of course rock n’ roll.  In Shambles also shows of the emotive range of Herschfeld, which combined with the tightness of the band, hits close to perfection.  This is a record for lovers of  infectious vintage sounds and for those looking for something delightfully new. The Woolly Bushmen knock it out of the park again. Congrats lads. Now go buy this record.”

Top Track: “Let It Be Known”

Los Pepes – Positive Negative

Los Pepes
Positive Negative
Spaghetty Town Records

“Not acquiring this album would not only be a mistake, but a betrayal of crucial judgment.  This record ought to be put on your turntable and blasted from start to finish with the help of some liquid courage inducing vibrancy.  If not for you, then do it for the neighbor’s sake.  To do anything less may deprive those in close proximity of a vital headache, or inspiration. After all, we need something wild and electric like Los Pepes “Positive Negative” for our bleeding ears and soul.”

Top Track: “We Need It”

5. Daddy Longlegs – Lowdown Ways

Daddy Longlegs
Lowdown Ways
Yep Roc Records

“Overall this record demonstrates certain level of wild brilliance and charm.  Daddy Long Legs boasts powerful pub rock n’ roll by invoking nods to the greats like Eddy and The Hot Rods, but really channel the living spirit of Dr. Feelgood during the Wilko Johnson years. This is evident by vocalist Brian Hurd’s rough, whiskey soaked voice and mannerisms that bring forth a fondness for the late rock n’ roll gentleman Lee Brillaux.”

Top Track: “Pink Lemonade”

RIOT FEST 2015

Iggy Pop performing at the Rebel Stage at Riot Fest 2015, Denver

Arriving at Riot Fest 2015 in Denver, I can’t appreciate the certain irony of the “death before shorts” mantra that I live by. It’s hot as hell, and living by that code may, in fact, be the end of me. The festival is held at the National Western Complex and there is little shade on the dusty gravel lots. The only relief can be found inside the stadium where the Radical Stage is located. When the wind picks up or an impressive mosh pit forms, dust gets kicked in the air making trying to breathe an exciting adventure. This dry, dusty Mad Max–like environment visually explains why most festival-goers have bandanas around their necks. The resulting appearance makes me think of punk rockers cast out of a post-apocalypse film, kind of what like one could expect from a punk version of Burning Man, minus the burned-out hippies and steampunk enthusiasts. As I make my way through the assorted food tents and brightly lit amusement park rides, I eventually find myself at my destination at the Roots Stage to check out De La Soul.

Dig the full festival coverage published @ SLUG Magazine!!