Every Wednesday and Sunday night starting at 9pm, Twilite Lounge is home to live music hosted by David Payne of The Red Bennies. Wednesday typically features musicians playing traditional instruments such as guitar, keys and bass. Sundays is geared toward creative electronica and DJs Lord British, Falchion B and Twin Bee. During these respective nights, Payne hosts through his group Jazz Jaguars and his alter-ego, Lord British. Payne says, “We play ´Doom Lounge´ music—lounge defined as music that is beautiful, engaging as possible, but soft enough to encourage conversation amongst the people there. It’s called Doom because of our generally slow tempos.”
Check out the full article published by Utah Stories!!
Photos courtesy of Paul Woodmansey.
Once a month, Piper Down echoes with rock n’ roll music that defined the 1950’s and early 1960’s. The event behind the music is called Salt Lake Rockabilly Presents. It is a themed club night with live bands and both digital and vinyl DJ’s spinning original Rockabilly, Doo Wop, R&B, Hillbilly, Western Swing and more. It is hosted by Paul “Woody” Woodmansey and Jon Grippe. Woodmansey collaborative partnership with Grippe began shortly after moving to Utah from England. “Jon was one of the first Rockabilly people I met here in Salt Lake and he had been putting on shows over the past decade or so.” Woodmansey says, “He had contacts with the owner of Piper Down and we decided that it would be a good place to start a regular night for Rockabilly music.”
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Sinful and nihilistic, The Cavemen’s Nuke Earth does nothing short of leave its listener as a drooling, reverbed drenched mess. Fans of The Cavemen will be comforted to know that their legendary barbarity remains intact. This record is a 25 minute thrill ride that invokes the untamed nature of Guitar Wolf and the brutality of the Dwarves. Much like their other records, The Cavemen do not disappoint by embodying an unapologetic assault on all that is vanilla and bland in the music world.
Check out the full album review published by Heatwave Magazine!!
On April 22nd, Switzerland’s infamous Reverend Beat-Man will be playing the Garage on Beck with Nicole Izobel Garcia. They are touring the United States to support their new album Baile Bruja Muerto, released on Beat-Man’s label Voodoo Rhythm Records. The two will take their stage dressed as a reverend (Beat-Man) and a nun (Garcia). Not a reverend in the traditional sense, Beat-Man says, “Reverend comes from the German word Revereieren .That means I tell you a story, and I thought that’s pretty cool.” Much of their act is about presenting a striking image and a unique sound— aka Blues-Trash, a term coined by Beat-Man. It’s musical style that mixes the haunting sensations of garage-like-blues with surreal folk music. Garica says, “our voices are so yin and yang, but we are both very dark in our music and performance. If you got to know us you’ll see we are similar because we both have this dark side but are also quite angelic.”
Check out the full article on Reverend Beat-Man and Nicole Izobel Garcia published by Utah Stories.
Mutant Surfin’ Trash
The Terrorsurfs = The Boys Ranch + The Phantom Four + Dick Dale
The tenacious surfing garage rockers The Terrorsurfs are back with their new album Mutant Surfin’ Trash. Like their other releases, fans can easily expect some consistency in The Terrorsurfs’ style. It’s the grittiness of The Cramps twisting through the vivid wild sounds of The Trashmen. Think of it as a soundtrack for a Quentin Tarantino film, like a contemporary Kill Bill Vol 1 or Pulp Fiction, but with the desperation of Robert Rodriguez’s Once Upon a Time in Mexico.
Check out the full review of Mutant Surfin’ Trash published by SLUG Magazine!!
The Devils = Das Clamps + Brain Bagz + Guitar Wolf
The Devils embody the definitive sound of desolation and chaos. Theirs is a style that is nothing short of a symphony meant for utter human annihilation. Their new album is called Iron Butt, and there’s plenty of sex, sin and rock n’ roll. Charming name aside, the absolute primitive noise within these grooves reveal nothing less than a nod toward a sure mental collapse. This is thanks to a chainsaw massacre guitar, death-stomping drum beats and blood-curtailing vocals. For the unaware, The Devils are from Naples, Italy, and they descend from blues-driven, wall-of-fuzz punk rock madness and Ken Russell’s 1971 B-movie of the same name. Think of them as the face-melting garage punk demon offspring of The Cramps’ incestuous relations with The Gories.
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Black Mambas / Suicide Generation
No Front Teeth Records
20 October 2017
Within the grooves of this record are sounds from LA’s Black Mambas and London’s Suicide Generation. It’s a record representing a match made by the shredding-sirens of hell-destined angels.
Dig the full review published at Heatwave Magazine!!
ROLANDO BRUNO Y SU ORQUESTA MIDI
Voodoo Rhythm Records
Rolando Bruno y su Orequesta Midi = Los Peyotes S.A + Jean Paul “El Troglodita”
This Cumbia Reaction EP is a true gem among the rough. Hailing from Buenos Aires, Argentina, Rolanda Bruno—formerly of Los Peyotes—comes blasting out with his one-man-band act. Unlike Los Peyotes—which is amazingly raw 1960’s-inspired garage punk music—Bruno brings out something different through this cumbia trash with a mix of psychedelic garage rock and Latin funk. This is his first release since 2013 and was recorded by Bruno at his Midi Home Studio. It’s an infectious four tracks that will keep you moving about like an idiot, as if being hexed.
Check out the full album review published by SLUG Magazine!!
Dirty Water Club & Weirdsville Present: The Jackets, The Bucky Rage and Fryd Chikin with DJ MR A & Miss A and DJ PJ @Nambucca 08/12/2017
This was a weekend like no other. Weirdsville/Dirty Water presented Londoners with the superb talents of Fryd Chikin, The Bucky Rage and The Jackets. For those uninitiated, travelling to Nambucca for this evening’s entertainment required the sheer determination to brave a night of temperatures dropping to bone chilling levels. Luckily, for the devout rock n’ rollers that lurk in the shadows, this club is constantly home to music that warms the soul… and drinks to dull the senses.
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BLAHA = The Blind Shake + Dirty Fences
BLAHA is the solo project of Mike Blaha of The Blind Snake and Shadow in the Cracks. This EP was written and recorded by BLAHA at Banana Tone—which he also owns and operates. It was mastered by Crypt Records’ own Tim Warren. Like his primary groups, BLAHA steeps his sound in a contemporary garage rock genre. He emphasizes a style utilizing mid-tempo grooves that mix surf and indie-inspired garage rock n’ roll. Think of a much slower Ramones-style sound in the same vein as Dirty Fences, but with a less raucous approach.
Check out the full album review, published by SLUG Magazine!!