Category Archives: Community and Business

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Hyperloop Records

Glyn Bowen

As a record collector, Glyn Bowen has always had an ear for interesting ,and hard to get.  He comes from comes from a rich musical history. This is largely thanks to the influences of his parents, broadcasts from pirate radio stations, and religiously attending gigs and music festivals. In recent years, Bowen took the next step to share his passion with the world, by founding Hyperloop Records.  

Hyperloop Records has steadily become renowned for their reissues. It’s a label that places an emphasis on reissues of garage rock, surf and psych records. Through Hyperloop Records, these gems are given new life and made affordable. Pressed as 7” records, they are perfect for the DJ and collector alike.  Among the growing catalogue of records includes songs by Ruperts People, The Quests and Art Guy.

The newest release to join this impressive catalogue is Sunshine Theatre’s “Mountain.” It was reissued on October 23,2020. To learn more about Hyperloop Records, I caught up with Bowen and chatted about his passion for record collecting, founding his label and what records we can expect to be given new life thanks to his label.   

NixBeat: As record collector since the age of 11, you say that have not lost the love for the 7” record. What attracts you to this format?

Bowen: Probably as this was the first format I owned as a youngster. Whilst there were LP’s. In the house at the time they were likely easier to handle!

NixBeat: In a previous conversation we discussed that your parents influenced your music taste. They introduced you to the Beatles through the “For Sale” LP via  Dansette Record player. What other groups did they introduce you to? 

Bowen: My father was into most types of Jazz. He really liked Benny Goodman ,Count Basie, Duke Ellington. My mother liked female singers like Ella Fitzgerald, Dionne Warwick, Eartha Kitt, Sarah Vaughn, and Billie Halliday.

NixBeat: You have attained quite the collection of the Dansette record players. Why do have such the soft spot for them?

Bowen: Ahh yes the collection of old record players. I let a collection go some years ago, but I keep finding them. It is pure nostalgia really. I still like to play 60’s 45’s on them just to get an idea of how they would have sounded at the time. I am slowly getting better at repairing them now. I love the smell too!

NixBeat: Growing up, you were exposed to the Pirate Radio Radio Luxembourg. How did this experience shape your musical upbringing?

Bowen: My father was in the forces and I was shipped off to boarding school. Luckily I had a small pocket transistor radio with a single earpiece and you could just about pick up Luxembourg. I remember Rob Jones and Tony Prince DJ’s.

NixBeat: What do you find has changed about accessing music since the days of listening to Radio Luxembourg?

Bowen: Accessing music today is so easy compared to then. You can pretty much immerse yourself in every music style from all over the world in a couple of clicks. I think YouTube is one of the best inventions of the modern world.

NixBeat: You’ve mentioned you’ve spent time going to gigs and festivals. What has been your favorite gig to date?

Bowen: As regards gigs and festivals. I used to go and see lots of rock bands in my teenage years—UFO Scorpions, GillanGirlschool  Hawkwind  and Thin Lizzy. Then into bands like U2, Big Country, Alarm, and Big Audio Dynamite. I missed out on lots of punk bands but did manage to see Joe Strummer and the Latino Rebel War. I have to say that King Gizzard and the Lizard Wizard on a boat called The Thekla in Bristol harbour was memorable. His was just before they were getting big so to see them in a small venue was great.

NixBeat: Hyperloop Records was formed in to coincide with the release of King Gizzard and The Lizard Wizard’s Polygondwanaland. How did this partnership come to be and what inspired the creation of Hyperloop Records?

Bowen: I was buying lots of King Gizzard albums from their Flightless Label in Australia and one night I thought I would check out if they had any new releases coming out. I found out they had a new LP but they were giving it away free to anyone who wanted to release it. I had recently seen an advert for a chap who had a lathe cutting machine 345.RPM in the UK. I got in touch with him and got 50 copies “Cut”. I got a printer to make me a small run of sleeves, had some posters/photos made .I had always wanted to write sleeve notes but my desktop publishing skill are terrible ,so I wrote all the lyrics and credits by hand. All my releases so far still owe a huge debt to the kindness of the Aussie boys by giving away this album to the masses . I was also buying Carlo Vivary King Gizzard Posters, who gave me permission to use one of his images for the centre label. For his assistance I commissioned him to do the cover for The Bit A Sweet 45.

NixBeat: Where did the name Hyperloop come from?

Bowen: The name Hyperloop came about when Phil Macy from the Lathe cutting service asked me what my label was called, it had not given much thought up until then. I was watching CNN and at that moment a film was being made about a new transport system called Hyperloop, I thought that sounded good so I borrowed it from Elon Musk!

NixBeat: Since Hyperloop reissues obscure releases of 1960’s music on a 7” format, what kind of clientele does Hyperloop Records attract?

Bowen: I think most of my customers seem to be DJ’s from all across the globe, then record collectors who like me just can’t afford the original versions and would like the chance to spin them at home.

NixBeat: Since 2016 Hyperloop Records has released several 45s since 2017. These include Ruperts People, The Quests and Art Guy. What criteria do you look for when choosing a record to reissue?

Bowen: My golden rule about choosing the songs is a simple one. I really have to love it, it has to be love and first listen, sometimes it is love within the first few notes. I then explore the availability and then access databases to try and find the rights owners etc.

NixBeat: What was the process like to get Rupert’s People “Dream On My Mind” released?

Bowen: I was lucky enough to find the rights holders to Rupert’s People “Dream on My Mind”, a  UK company called Angel Air. The chap who ran it was really helpful and full of great advice.  A few signatures on a licensing agreement and a payment I was away.

NixBeat: Have you encountered any complications with reissuing records?

Bowen: I was pretty naive when it came to licensing before the Rupert’s People 45 and did run into some problems with my previous release  The Paragons/Snapshots split 45. I did register the release with MCPS/PRS but should have made a bigger attempt to contact the owners of the “master” recordings. I did however make it clear on my sales adverts for the owners to contact me. I made my peace with Danny Huntley from the Paragons .He was kind enough to sign a few copies for me. I  had to write a very apologetic letter to the Sony Corporation regarding The Snapshots .I have to say it was the best lesson I have learnt and serves as great reminder to do things more thoroughly in the future.

NixBeat: The Art Guy “Where You Gonna Go” reissue has a certain condition of agreement with Art Guy to not have “Teenage Millionaire” on the b-side. What prompted this decision?

Bowen: As regards the Art Guy “Where You Gonna Go” and the flipside “Teenage Millionaire.” I don’t think Art Guy ever liked the song and was not taken with his drumming on that track. It was also co penned by Dorinda Morgan ( Original Beach Boys Producer) which would have caused difficulties with licensing perhaps.

NixBeat: To date Hyperloop Records has released six records. What has been your most popular release so far and why do you think that is?

Bowen: “Where You Gonna Go” has been my most popular release by way of sales within the first few weeks, having said that The Quests “Shadows in the Night” is doing really well. I have not many copies left of either. I have unfinished business with The Quests, they have a song called “That’s My Dream” which was originally planned as a 45 but due to the Vietnam War and college commitments it never happened. I aim to put that right very soon.

NixBeat: What future records can readers expect to come from Hyperloop Records?

Bowen: Also in the pipeline is another love affair which I have been having for some time. The band were called Sunshine Theatre from Wales UK. The song is called “Mountain.”  I owe a debt to Oscar Richt aka Oscarowski for putting some outstanding songs on You Tube, without him I would not have ever heard this. I come from a Welsh background so I am pleased to be able to release this one. Also in the pipeline is another garage fuzz song, Backgrounds “Day Breaks At Dawn.”  I am also having a conversation with Ted Munda from The Enfields regarding a few of his songs. I have also got another iron in the fire but I am keeping that one close to my chest for now.

For more about Hyperloop Records, check out their Discogs page and Facebook Page!

Capturing the Moment with Michael Kunde

Photo: Chad Kirkland

Michael Kunde is a professional commercial and advertising photographer based in Salt Lake City, Utah. His work and personal talents take him both across the United States and internationally. Some of his clients include Adobe and Chrysler. Apart from an impressive commercial portfolio, Kunde also boasts personal photography work that includes unique takes from his travels. Some of his more distinguished work contain his striking themes, such as those found in rural areas of the United States….

Read the full article at @SLUG Magazine!!

Life in the Undergound with Ted Dougherty of Spaghetty Town Records

Ted Dougherty AKA Teddy Spaghetty

Ted Dougherty AKA Teddy Spaghetty has long been involved in the underground music world. While living in New York City, he grew disillusioned with major record label executives only caring about seeking out standard hit makers.  He was amazed that so many impressive artists were overlooked and did not have material available.

After moving to Atlanta, Dougherty established the independent label Spaghetty Town Records to provide a means for groups to release records for old and new fans alike. Going strong for the last four years, Dougherty has worked with bands, both domestic and internationally. They are renowned for releasing records by rock n’ roll groups like Los Pepes, Jordan Jones and Faz Waltz.

Among his and his labels growing accomplishments are helping the Italian glam rockers Faz Waltz with their first U.S Tour and performance at Punk Rock Bowling in 2019. Additionally in early 2019, Spaghetty Town Records released the Down South Spaghetty Accident compilation which featured Dirty Fences, Cheap Tissue, Criminal Kids, BBQT and others. To learn more, I sat down with Dougherty to chat about Spaghetty Town Records, how the onset of the Coronavirius Pandemic has affected his label and his unwavering passion for underground music .

NixBeat: Tell us a little about yourself.  What inspired you to jump into the world of rock n’ roll?

Dougherty: I’ve always been a huge music nerd, buying records and cassettes, seeing live music whenever possible, working at my college radio station (WSOU) and even my high school radio station (WCVH).  All I ever wanted was to work in music, so I got a job at a major label after university.  It was fun for a while, it was the late 90s and there was lots of money coming in.  Big parties, big artists, fancy dinners but I knew it couldn’t last forever.  After 9/11, a lot of people, including myself, lost their jobs.  I was living in New York City and Hoboken, New Jersey, so there was always a great band playing, I was still seeing music all the time.  That was nearly 20 years ago, and not much has changed, still seeing shows, buying music but now I’m helping bands release music.

NixBeat: Although originally from Australia, you lived in New Jersey and now live in Atlanta, Georgia. What’s the music scene like in these places? How are they similar and different?

Dougherty : I only lived in Australia for a year when I was born, then another year in my 20s.  I was just down there and there is so much great music coming out. I spent about 30 years of my life in New Jersey and New York City, which is a great thing if you’re into music.  I could see a band on Friday in New York City and if they were great I could see them again in New Jersey or Philly.  I’ve been in Atlanta for over a decade now, my first two years took some adjusting.  First thing I noticed, the people in Georgia are really friendly.  Not to say that people in New Jersey /New York City aren’t, we’re just different.  If someone was too nice to me in New York City I’d assume they were trying to hustle me, in Atlanta they’re usually just being nice.   New York City also got every show on every tour.  When I moved to Atlanta, I noticed we got skipped over, a lot.  It was really frustrating because there is a great scene here with great people.  In the last few years it’s been better, getting more bands to come down here.  But I can’t complain, we also have great bands in the area that probably don’t play up north a lot either.

NixBeat: I know you DJ in Atlanta. How did you get involved in DJing and what kind of records do you like to spin?

Dougherty : I was thinking about this the other day, I’ve been doing this a long time. I started playing records when I was in high school on the radio, we could play what we wanted, it was live, but you don’t see the people and have to take breaks, read PSAs etc.   The first time I DJed in public was at LIT Lounge in New York City.  I remember being terrified that I didn’t know how to do it, then realized after five minutes that five years on the radio pretty much trained me for it.  Since then I’ve played records all over New York City, New Jessey and Atlanta.  I have a monthly night at Elmyr, a great long running dive bar here.  I’ve been there so long they kind of give me carte blanche to play what I want.   Usually the first half of the night is more R&B and soul.  As the night progresses it turns into more garage, glam and punk records.  Just depends on my mood that night. 

NixBeat: If readers were to visit Atlanta, where should they look to check out your DJ sets?
Dougherty
: Second Saturday of every month at Elmyr in Little 5 Points.  It used to be every Saturday, but after a while that becomes work and not fun anymore.  But Elmyr has been there for over 20 years, and has great food and drinks.  The music will vary DJ to DJ—country, hip hop, punk, metal.  It’s great!  If you come see me, you’ll hear some punk, garage, soul.  It’s a fun night with a mix of Atlantans.  Be sure to try a Grizz.

NixBeat: Spaghetty Town Records releases quite the array of dirty rock n’ roll, punk and glam records. Some notable artists on your label include Faz Waltz, Pale Lips and Jordan Jones. What prompted you start your label?

Dougherty:  After working for a major for so many years I saw these guys running the label that weren’t into music anymore.  I assume they were at one point, but weren’t anymore.  My boss once said “I’m into hits!”  But I was really into music still.  I didn’t want to be like those guys.  Years later I was seeing all of these great bands that didn’t have releases out, which seemed odd to me.  I said to my wife, if I can get a band on board I’m going to start a label.  Four years later here we are, I’m about to put out my 25th release.  Still can’t believe it.

NixBeat: How did you get involved with groups like Faz Waltz, Los Pepes and The Scaners?

Dougherty : An Italian friend turned me onto Faz Waltz. So when I went to Italy, I messaged Faz La Rocca to ask what stores I could pick up his album.  Anything to avoid paying international shipping.  When he started looking for labels for “Julie” he reached out to me.  I was thrilled; I was such a fan of his previous records.  As for Scaners and Los Pepes, there are a lot of other similar labels around the world working with cool bands in their own countries.   I forget who it was, but different international labels reached out to me.  They are usually looking for international partners for a release.  It helps with promotion in another country or language, helps cut cost and gets a release into another country without having to charge $20 for shipping.  After doing this for a few years I’ve worked with so many great labels now throughout Europe and South America.  There is a wonderful community of labels around the world, all trying to do the same thing.

NixBeat: What kind of criteria do you look for when releasing a group through Spaghetty Town Records?

Dougherty: It used to be “would I buy this?”  But it’s changed a bit over time.  I’ve realized that not everyone buys or can buy records like I do.   Now it’s more like “do I think a lot of people will pay $20 for this?” Other things I look at are online presence, it’s not a make or break, but it helps to have a strong online presence.   Are they a band that plays shows, do they tour?  Are you part of the music community?  Also, do we get along, because we’re about to have a relationship.  I’ll need help from you, you’ll need help from me.   I’ve been really fortunate that every band I’ve worked with have been good people to work with.

NixBeat: In an interview with Jerseybeat, published in 2019, you stated that it was hard for bands to break into the US scene. Why do you think that is?

Dougherty: Big time!  America is huge, if you want to do a US tour you need time and money.  If you’re not an American band, you’ll likely need a visa too —which is very expensive.  Also, rock music scene seems smaller than it used to  be.  Times change, music changes, I don’t see lots of younger people at shows.  I joke with every band “can you get more young people out?”  A lot of bands tell me they sell merch to a lot of older guys, which includes me. But there are some really talented bands out there (not just mine), touring their asses off, putting out consistently great records that just can’t seem to break.  Do I think there will be a resurgence, absolutely.  Hopefully we’ll be around for it.

NixBeat: Faz Waltz’s Faz La Roca said you were largely responsible for getting them their US tour in 2019. What was the process like organizing their and performance at Punk Rock Bowling 2019? Do you think your work paid off?

Dougherty: I’d never booked a tour before in my life.  I’ve been part of tours, but never booked one.   A lot of bands ask me to help them with things because they feel it looks more professional coming from the label instead of band direct.  I’m always happy to help out if i can.  So we got Faz Waltz on Punk Rock Bowling first, that was actually the easy part.  We then built a tour around it based on what time they had available.  It’s hard work.  I hear a lot of bands comment about how they hate booking tours, I totally get it now.  So many emails, phone calls, making arrangements for vans, hotels etc.  For Faz Waltz it was also about getting visas.   In the end, it was totally worth it.  They played great shows in California and ended their tour at Punk Rock Bowling with a big crowd.  Also, Faz himself had never been to the US before, so he was really excited.  So he was excited to be here, and also got to play.

NixBeat: In 2019, Spaghetty Town Records released the Down South Spaghetty Accident Compilation? This record features groups like Criminal Kids, BBQT, Cheap Tissue and Dirty Fences. What was the process like putting this compilation together?

Dougherty: That was a lot of fun, I’m really proud of the Spaghetty AccidentChase Tail (RMBLR, Dino’s Boys, Heart Attacks) approached me and asked if I’d be interested in releasing a compilation for his annual event “The Down South Showdown”.   He told me that he had some bands on board, that it was all new music.  When I saw the list I was pretty much sold.  At that point bands started sending me their tracks and info for the track.  I worked with Alex Hagen from Ravagers on the art and found a pressing plant that said they could have the records in my hand in time for the show.  The hardest part for me was the song order and having a good flow with 14 different artists. But I guess DJing for all of these years helped.  True story, they arrived at my house about 18 hours before the show.  Another good one, I spent so much time checking for spelling errors that I left MAMA off of the cover, every band has their name on the cover.   It was about 2 weeks before release and the jackets had already been printed. I was freaking out. But Alex suggested that we make a foil sticker of a pinball, have it say MAMA on it and stick it on the record.  It was a great idea and totally saved us.  Ravagers and Shelly Shellhorn helped put 500 stickers on the records in my kitchen.  With so many people it went by really fast.

NixBeat: What kind of clientele does Spaghetty Town Records attract?

Dougherty : It’s a real mix, probably because we have different types of bands.  But it’s serious music fans and vinyl collectors, largely male.  They are from all over the US and the world though. When people who weren’t my friends order from me I get really excited still.

NixBeat: With the onset of the Corona Virus Pandemic, many States have issues social distancing, quarantines and even lock downs. How has the pandemic affected you and Spaghetty Town Records?

Dougherty : I haven’t been working that much in the last few weeks.  My wife is able to work from home luckily.  As for the label, I’ve noticed a slowdown in sales.   I’m not surprised; I’ve lost income from my regular job. A lot of my friends are pretty much unemployed now.   There is no touring or live shows.   We will be adjusting some release dates.   I’m hoping when this is all over people will be hungry to see some live music to help get back to normal life.

NixBeat: How can readers support Spaghetty Town Records in this time of crisis?

Dougherty: If they can, buy records from me and the bands we work with.  We depend on people buying from us to fund future releases.  Since so many artists lost touring and merch income they can buy online, that’s  a huge help. And when clubs and bars open again go out and see live music.  I know everyone really wants to get back out there again and play.

NixBeat: What future releases should people look out for in 2020 from Spaghetty Town Records?

Dougherty: We’ve been really lucky to work with so many great bands.  I know for sure that Fast Eddy, Killer Hearts, Faz Waltz and Ravagers will be releasing new music this year.  I asked Criminal Kids and they said “we fucking better put out new music in 2020!”.  There are a few other things in the works that aren’t official yet, but I’m really excited about them.

NixBeat: Where would you like to see Spaghetty Town Records in the next couple of years?
Dougherty: We plan to keep cranking out records. There has been talk of finding new ways to help artists grow and make money.  I really feel like real rock n’ roll is on an upturn again.  Maybe bigger labels will look at guitar driven rock bands again instead of a singer and person with a laptop.  As long as people keep buying our records, we’ll keep putting them out.

During the month of April, 2020 Spaghetty Town Records will be have a Stay At Home sale for 20% off! Check out their releases here!

For more about Spaghetty Town Records check out their Facebook and Soundcloud!

Also, check out previous NixBeat reviews of Spaghetty Town Records here!

Salt Lake’s Urban Indian Center

Photos by Braden Latimer.

Since 1971 the Urban Indian Center has provided essential support and resources to the Salt Lake Valley’s Native population. This is done by offering a kind of haven and cultural hub away from the hectic pace of urban life. Co-Founder of the Utah League of American Voters, Moroni Benally, says, “Census wise, there’s over 6,000 representing some 250 plus tribal nations. So it’s fairly diverse, but there’s a predominant presence of Navajo.”

Originally the Urban Indian Center was home to several other minority organizations. However, over time those in the Pacific Islander and Latino communities have found their own headquarters. Former Executive Director Anthony Guzman says, “We still try to make ourselves as available to everybody as we can.”

Check out the full article published by Utah Stories!!

Village Cobbler Shoe Repair: These Boots Are Made for Walking

Cobbler Troy Morgan. Photos by Bryan Butterfield : imageandfilm.com

Village Cobbler Shoe Repair has long been a staple in the Salt Lake Valley. Since 1968, they have breathed renewed life into countless shoes needing a little or a lot of love. This shop is run by the Morgan family since it was founded by Rob Morgan, and is now managed by his son, Troy Morgan. Troy says, “I didn’t have much of a choice when I started working there as a teenager. I learned the craft from my dad. He’s the best in the business, so I feel very lucky.”

Read the full article about Village Cobbler Shoe Repair published by Utah Stories!!

Soul and Funk Night at Salt Lake’s Bar X

The strictly vinyl night at Bar X is the creation of DJ Godina (second from the right) and draws an eclectic mix of other local DJs.

The groovy sounds of funk and soul records can be heard on any Monday night within the dimly lit Bar X. This strictly vinyl night is the creation of DJ Godina (Justin Godina). Godina is a well-known DJ in Salt Lake City who, apart from hosting nights at bars like Gracies, Chakra Lounge, and Undercurrent, was voted top DJ in City Weekly’s Best Of in 2015.

Godina has always had a passion for records. “When I was 5 or 6-years-old, I used to flip records in the dancing room (the living room at my dad’s parents’ house) with my aunts and uncles,” he said. Years later, he discovered his uncle’s immense collection, which included early hip hop and new Chakra Lounge wave by artists such as AC/DC, Prince, and The B 52’s. Godina adds, “In and shortly after high school, I would throw parties and was always the guy sitting in front of the CD player monopolizing the stereo. So I bought some turntables from thrift stores and my first mixer and started DJing our parties.”

Dig the full article published by Utah Stories!!

Exploring a Vague Space

Peach Dream performs at Vague Space. Photo by Mike Jones.

Vague Space is the venue that is replacing Daley’s Clothing in Sugar House. Owner and operator, Spencer Daley, started Daley’s Clothing in 2015. It was originally called Daley’s Men’s Shop, but once the clothing store began selling women’s clothing, it was renamed to be all-inclusive and non-gender specific.

In 2016, Daley set his sights on establishing a small DIY venue in the basement of the shop. He was keenly aware of the loss suffered by Salt Lake’s creative community during the Sugar House redevelopment that started in 2007. Daley says, “The lack of a music venue in Sugar House is surprising considering the origin where Sugar House came from.”

Check out the full article on Vague Space published by Utah Stories!!

Chic on the Cheap

Katie Douglas, a local pinup model, hunts for vintage clothes at D.I. stores and Goodwill. Photo by Steven Vargo.

For many people, shopping at Deseret Industries or Goodwill is the only affordable way to buy clothes, toys, or furniture. Among these resources for everyday living lies the possibility of discovering cultural artifacts such as rare records, clothes, or books for a low cost.

It is not a new phenomenon to pick through these stores’ merchandise for unique items, however, in recent years, it has become trendy. Some pick for personal aesthetics, while others go armed with a smartphone or prior knowledge before purchasing an item for resale.

Read the full article published by Utah Stories!!

Sound & Vision Offers Vinyl Records and Music Expertise

Michael Maccarone of Sound & Vision. Photo by Mike Jones.

Sound & Vision Vinyl, LLC, is the new record store in Salt Lake City. They opened on October 16, 2015. It is owned by Pam Lancaster and managed by Michael Maccarone.

Maccarone has managed record shops for over 30 years. His interest in record collecting began by sampling his father’s rock n’ roll records and then by witnessing The Beatles perform on the Ed Sullivan Show in February 1964. In the 1970s, Maccarone’s interest in records was further inspired after being introduced to David Bowie records at a record shop. “[The employee] locked me in the store, made me buy The Rise and Fall of Ziggy Stardust—I wasn’t allowed to leave until I bought the album,” he said.

Read the full article, published by Utah Stories.

Experience the New Chic of Vintage Clothing

Cosmic Wolf Vintage.
Photo by Steven Vargo.

If there was an effort to move away from the trappings of fast fashion, consumers have quite a few options in Salt Lake City’s many thrift shops.

In Utah, there is a strong buy local movement, and many consumers go out of their way to shop at local stores. “I think Utah’s pretty good on that, honestly,” says Kristin Thomas of Cosmic Wolf Vintage. “I was actually surprised working at Unhinged—because a lot of it’s local—how many people are there because they want to buy local.”

Read the full article published by Utah Stories!!